Sunday, 26 February 2012
Ape Shit
Tuesday, 21 February 2012
I Choo-Choo Choose You
I suspect there could be a whole section in record shops devoted to train songs, and within that a whole section devoted to Johnny Cash, but this is what me and the lovely listeners came up with this week…
What Got Played
Groovy Train – the Farm
Train in Vain – the Clash
5:15 – the Who
Mystery Train – Elvis
Let the Train Blow the Whistle – Johnny Cash
Train Song – Vashti Bunyan
Friendship Train – Nancy and Lee
Night Train – James Brown
Train Song – Flying Burrito Brothers
Carter Takes a Train – Roy Budd
Rasta Train – Lee Scratch Perry
Waiting for the Ghost Train – Madness
Railroad Man - Eels
just enough of the Locomotion to annoy – Kylie Minogue
Last Train to Transcentral – KLF
What I didn’t get to play because I didn’t have enough time…
Train Truck Tractor – the Pastels
Railway Jam – Saint Etienne
Last of the Steam Powered Trains – the Kinks
Time Goes by When You’re the Driver of a Train – Half Man Half Biscuit
Last Train to London – ELO
Take the A Train – Duke Ellington
Last Train (Trainspotting Dub) – Primal Scream
The People Who Wave at Trains – Darren Hanlon
Long Black Train – Richard Hawley
Requests from Lovely People
Last Train to Skasville – the Ethiopians
Europe by Train – Divine Comedy
Trainspotters – Frank and Walters
Morning Town Ride – the Seekers
Driver 8 – REM
Down in the Tube Station at Midnight - The Jam
Train Train – Billy Bragg
Last Train to Clarksville – the Monkees
Trans-Europe Express – Kraftwerk
Downtown Train – Rod Stewart (suspect this wasn’t serious)
Morning Train – Sheena Easton
Midnight Train to Georgia – Gladys Night and t’Pips
Best Song about Trains but not the best for a Saturday Morning Request Show
The Light at the End of the Tunnel (Was a Train Coming the Other Way) – Richard Hawley
Thanks to everyone for their suggestions. Feel free to add to the list using comments below…
Check out @mintcustard to find out about this week’s topic. It’s currently a toss up between booze and monkeys but I’m open to suggestions.
Sunday, 8 January 2012
Let's Take a Ride, Run with the Dogs Tonight
So far I've done shows about Electricity, Distance, Radio and Creepy Crawlies. This week's theme was Suburbia - from colourful characters and nostalgia through community-wide conformity to middle-class angst and urban malaise behind neat picket fences. Because I had fun doing it I thought it might be nice to share what I played and give people the chance to point out ones I missed...
Rockin' the Suburbs - Ben Folds
Pleasant Valley Sunday - the Monkees
Neighbourhood - Space
Penny Lane - the Beatles
Our House - Madness
Little Boxes - Malvina Roberts
Build - the Housemartins
Shangri-la - the Kinks
Semi-Detached Suburban Mr James - Manfred Mann
The Frankston Line - Youth Group
The Sandringham Line - the Lucksmiths
Sound of the Suburbs - the Members
Neighbours Theme - Barry Crocker
Suburbia - Pet Shop Boys
Suburban Homeboy - Sparks
...and here's what I didn't get to play because my 90 minutes was unexpectedly reduced to an hour...
Friday, 29 July 2011
Come on Ova
We’re no strangers to a bit of hyperbole here at Mint Custard but when we called The Lovely Eggs’ Don’t Look at Me (I Don’t Like It) – an effervescent 3 minute rush of Kenickie, Sultans of Ping, Jilted John and Half-Man Half Biscuit - as best single of 2011 back in January we might have left ourselves open to accusations of being a bit premature.
Instead, the Eggs (husband and wife Holly Ross and David Blackwell) have gone on to affirm their place in our hearts with their second album Cob Dominos. Packed with more musical left-turns than you’d think possible in 37 minutes, it’s full of homespun wisdom, heartbreaking tales of unrequited love, cider, sausage rolls, crap jobs, first class swearing and the loveliest anthem to paranoia that will ever be written. It also contains recent single, Fuck It which might be just about the best answer for anyone trying to make sense of the madness that has been 2011 so far.

Keen to find out more about the band who give us a washing line smile, we had a chat with Holly earlier this week. Here’s what she had to say…
Hi Holly - thanks for joining us for a chat. Can we get you some tea and biscuits, or pop and cake? Cheese and Strongbow. All day, every day.
Congratulations on Cob Dominos – it’s one of our favourite albums of 2011. What’s the reaction been like so far? Thanks. The record seems to have gone down quite well we think. People have swallowed it whole. We've not got many copies left so we're re-releasing it on beautiful 12” vinyl. Oh yes we are. They will be limited edition and all hand numbered. Each one will come with a special certificate of authenticness and a letter from us. It's gonna be special. They will be available from September. People can get them direct from us but we've not worked that part out yet.
Don’t Look at Me (I Don’t Like It) is a bit special. Did some of the expressions in the lyrics [sausage roll thumbs, dog dirt eyes, car boot bones] come from people you know or are they all made up? Most of them are made up. But some are real or at least an elaboration on something real that was said. We suppose it's inspired by some of the stuff you hear everyday in
There’s that word again. Round our way a cob is a bread roll. What does cob mean in
Print an Imprint and Books, Ting! remind me of those bits in The Office where they show how boring 9-5 work can be by filming the photocopier sorting paper. Have you had terrible jobs over the years? Well David was a printer before he started working at Lancaster Musicians' Co-op so that's what that's all about. I've done loads of jobs. I've worked in a newsagent, at a meat shop (grim), at a chocolate shop, I’ve worked as a care assistant in a nursing home, as a tour guide at Lancaster Castle, as a bar maid, I worked as a local journalist, a writer for a travel company in Paris, a TV researcher and then a documentary producer/director and then in a book shop. The shittest one was the meat shop. I am a vegetarian. I thought I could handle it. I couldn't.
Watermelons features a backing army of kazoos to lovely effect. Did you have a room full of people all playing at the same time? No, just me and David. I think that was done before the digital kazoo was invented. David made it up from a kazoo and a pound shop microphone. It’s patent pending. He likes to call it the electric kazoo, but I prefer to call it the digital. Electricity is more than 100 years old. Nobody is phased by electricity any more. They take it for granted. In fact I think electricity has always been there. It comes from the sky I believe.
You’re both sporting magnificent fringes on the artwork for Cob Dominos. How do you feel about fringing on other things – jackets, boots, settees etc? There's nothing wrong with a nice bit of fringing on a settee or, say, a cushion. I don't think we have anything else fringed though. No, not like that...
The incomparable John Shuttleworth is your co-star in the video for Don’t Look At Me. Was that exciting or had your paths already crossed previously? We had met before when he performed in
Watching Mr Shuttleworth’s original alter-ego Jilted John the other day it struck me that - besides great fringes - there were some musical similarities between you. Who else influences you? There are lots of things that influence us, writers and poets and relations and stuff that happens to you outside yer house. I suppose what a lot of the bands we like have in common is they don't give a shit and are just doing what they want. For us it is bands like The Velvet Underground, Sonic Youth, Huggy Bear, Nirvana, Jonathan Richman and The Modern Lovers, Jad Fair, The West Coast Pop Art Experimental Band. They were all doing something different, making their own sound, which is I suppose what we are inspired by. We like to plough our own furrow. There are no rules in our band.
You released your last single on a bank holiday with the following message on Twitter: New single Fuck It comes out tomorrow. You can’t buy it cos all the shops are closed. You won’t hear it cos it can’t be played on the radio. You’re not in this for the money are you? No.
Is there any chance of seeing the Lovely Eggs in
Do you have fans that bring you gifts or make you things? We've got some lovely fans who send us stuff. We've had two fountain pens through the post. We also had some sort of whale sponge and someone sent us a poem. We often get drawings. I always write back to everyone. I think that letters are just the best. Emails should be clunked out. If you want to write to us our address is The Lovely Eggs, c/o Lancaster Musicians' Co-op,
Mexico Can’t Make You Smile continues the Twin Peaks references from your Haunt Me Out EP. What chewing gum would you like to come back into style and did you get to
We got to go this year and did something similar. The Double R Diner is still there and they do some very lovely eggs themselves, as well as a top cherry pie. Good place to do a gig? Don't even tempt us
For more Lovely Eggs visit their MySpace page myspace.com/thelovelyeggs or follow Holly and David on Twitter via @TheLovelyEggs. That said, when was the last time you wrote someone a nice letter…?
Tuesday, 19 July 2011
Fright or Flight
The meal was served in plastic, containers wrapped in foil
A special pack contains salt, vinegar and oil
To add to my discomfort, lightning hits the deck.
Down the aisle they venture, pouring cups of tea
To gentlemen of business and ladies of the scene
They crave for the interior as lightning strikes again...
Gruff Rhys, Skylon - Candylion (2007)
Living 10,000 miles away from where I was born, I’ve spent a few hours of my life in aeroplanes. Distracted by the thrill of foreign travel, an endless supply of
For context, I have in the past flown a small plane, been in several helicopters, done a tandem freefall parachute jump, bungeed off a bridge and jumped off a mountain attached to a crazy Frenchman and a hang glider. All of these acts were undertaken with a bit of youthful zest and healthy sense of what-the-hell. And yet, during what could reasonably be called a successful circumnavigation of the globe (I didn’t die in a horrific fireball at 30,000 feet) every safe landing started to feel like an 11th hour reprieve from the President from some unseen firing squad.
That our journey (eight separate flights with their own individual take-offs, landings and please-pay-attention-sir safety demonstrations) was further coloured by two different volcanic ash clouds, a mid-flight tropical storm that added 8 hours to a 6 hour journey, four constant hours of North American turbulence and a drug-addled Irishman returning from Amsterdam is just extra detail. The rot had set in long before.
It’s probably no coincidence that my fear of flying has developed during a lull in overseas flights. Not having been overseas for almost four years, I had come to associate flying with Jetstar and Tiger Airways, two cheap and cheerless local carriers, the latter of which has now been grounded due to safety concerns. Their joyless no-frills approaches and up-and-down intercity flights had robbed me of any thrills that air travel might once have had. I would spend flights to
Subsequently my levels of in-flight angst are now influenced by two important factors; the size of the plane and the staff-to-Muppet ratio.
It makes no sense that significantly increasing the size of the thing that shouldn’t be in the air in the first place somehow makes it less scary but there’s no denying the bigger the plane, the less is my terror. Take off is smoother, cabins and seats are roomier, TV screens are individualised, drinks are much freer. When planes are big I can adjust my optimism from the opening scene from the Lost pilot to ‘hey, maybe someone will hear that little whistle across the water before the sharks get me…’
As for staff, I used to think that friendly professionalism ranked highest on my list of cabin crew qualities. I now appreciate what I’m really looking for is a door bitch (male or female) who will come down like a prison warden on even the most minor acts of lawlessness. If someone is unbuckling their seatbelt when the light is on, using ‘electronic devices’ during take-off or turning on their mobile phone before we’ve reached the terminal I want them SLAPPED DOWN.
What I don’t want, Ryan Air, is a situation where a crazy walking stereotype of a mentalist is allowed to get on my plane when he has lost his boarding pass (probably used as a roach), who ignores you (the people in charge of all our safety, lest we forget) when you repeatedly tell him to turn his iPod off until YOU give up, who asks people around him “why have we just taken off and landed again?” before we have even reached the runway, and who gets up out of his seat the second the seatbelt sign goes off, leaving his shoes, bag and coat behind and is NEVER SEEN AGAIN FOR THE REST OF THE FLIGHT…
If that does happen, Ryan Air, I would like you to take control of the situation and make us all feel at ease. What I do not want you to do is try and sell me multi-packs of duty-free cigarettes and/or scratch card lottery tickets.
The other cabin crew quality that ranks above professionalism is calmness. Wings could literally be falling off, but if I can see the benign smile of a non-plussed air-steward I’ll always feel much better about the situation. I learned this when our flight from Dublin to New York was interrupted one hour from landing by news that every airport on the eastern seaboard of the US had been closed down due to violent storms.
After an hour looping around
My panic may have been lessened by the crew’s apparent insouciance, but I still spent the rest of the flight wondering how a pilot planning for a 7 hour flight was able to fly a plane after 14 hours at the helm. All mitigating factors aside my presiding in-flight emotion is still uneasy panic rising to hopeless wreck. It may be safer to travel by plane than to catch a bus or whatever that statistic is, but give me the bus any day.
I’m not as bad as some. Such is my friend’s fear of aviation that she refers to planes as ‘flying coffins of death.’ She is incapable of setting foot on a plane unless she has rendered herself comatose with all manner of long lasting little white pills. Another friend has good reason to be afraid of flying after she was involved in a major incident which saw her flight plummet 20,000 feet (that’s almost four miles) for over five minutes. As a keen traveller she has had to literally force herself to get back on the horse using counselling, noise-cancelling headphones, more little white pills and whole heap of scientific and statistical reasoning to counter the fear.
Logic should suggest that if she can get back on a plane then I should stop fannying about, sit back and enjoy the drinks trolley. If only my brain was wired up that way. Instead, the fact that I know someone who has experienced exactly what I fear goes to show that it could happen anywhere, anytime.
Friday, 6 May 2011
MICF - Did I Miss My Deadline?
Despite this, 2011 passed me by somewhat. Bereft of cash, busy at work and lacking real insight into who were the must-sees of a relatively superstar-free roster I only got to six shows this year, which is pitiful really. Comedians of the world, I'm sorry. I promise to do better next year. That said, the six shows I did see only reinforced how lucky we are to have MICF on our door step, starting with...
Josh Earl's Love Songs and Dedications. For a man who did his entire run at the Trades Hall in the knowledge that that his heavily pregnant wife could deliver their first child at any second, Josh Earl's seventh year at MICF was remarkably entertaining. Loosely themed around late night radio sensation the Love God's Love Song Dedications - in which slightly deranged callers try and impress/win back the loves of their lives by requesting Mariah Carey songs and Bon Jovi ballads - the source material alone was a comedy gold mine.
Thankfully there is much more to Josh Earl than easy parody and the Love God's show was just a springboard to a dissection of some of the less celebrated aspects of modern romance. If I tell you these include digital prostate stimulation or toilet tag-teaming during a bout of mutual gastro, you'll know what i mean. As he proved with last year's highly popular Josh Earl versus the Australian Women's Weekly Childrens Birthday Cake Book part of Josh's appeal is his every (indie) man personality and boy-next-door charm. Despite some scatological subject matter, songs comparing sex with baking, and admitting to your partner that the pinnacle of romance is to be merely content, everyone I went with still wanted to give him a hug at the end. For more info on Josh check out @mrjoshearl on Tw*tter or http://www.myspace.com/joshearlisalibrarian.
Sanderson Jones - Taking Liberties. After being spruiked in the street I made a solemn promise to Sanderson Jones' face last year that I would attend his show. Then I got sick and didn't go. On that basis alone I was pleased that the English comedian came back this year for another run at the Bull and Bear in Flinders Lane.
Mr Jones is known to some in the UK from a series of IKEA adverts and to others for the controversy about his 2010 Edinburgh show in which he talked about the morals of censorship using a picture of a naked 12 year old Brooke Shields. I'm not sure if we got exactly the same show here - the Shields picture played only a small part in the show - but the themes of freedom of speech were represented in ways that those present will likely never forget. Certainly my innocent eyes were opened to the horrors of the 21st century through exposure to chat roulette, a seemingly consensual peeping tom for online onanists. To reveal more would risk spoiling a shocking yet genuinely funny routine, with Sanderson gleefully egging everyone on like some deranged Gene Wilder; a modern day Willy Wanka.
Constantly juggling being edgy with not alienating the crowd is a difficult ask, and one that wasn't always successful. Still, fair play to him for not playing safe at any point - especially as this was a pay-as-you-leave show. There is intelligence and subtlety to Sanderson Jones' comedy, from the PowerPoint presentations to the small video montages, and whilst some of it was lost in the mania of presentation, there is more than enough to suggest a bright future for Mr Jones.
Lisa Fineberg - Mermaids Can't Ride Bikes. I knew nothing about Lisa Fineberg before her show started other than that she used to be a professional mermaid and that, despite being 29, she can't ride a bike. This seemed like a reasonable premise to me, so I sat in a relatively full Loop Bar back room and waited to hear the tale of her tail.
Sadly Lisa never seemed quite sure what she wanted her 45 minute show to be. It wasn't clear whether her bright and beaming toothpaste smile and giggling into space was part of a carefully constructed ditzy mermaid routine or (as suggested by a PowerPoint presentation of Lisa and family playing dress ups over the years and a proudly displayed collection of turquoise clothes, bedroom, toys, and a rather-too-swish car) if her message was simply 'I'm a bit kooky aren't I?'
Whatever the truth it was hard to get an angle on what was real and what was being played for laughs. There was some genuine laughs when the starstruck Ariel act was dropped to talk about working as a supply teacher, but they were quickly forgotten. It didn't help Lisa's cause that the biggest laughs came from people helping her with her show - including celebrity friend John Safran who was present both in a pre-recorded video and in the audience.
I've since learned that this was Lisa's first MICF show, so due credit for giving something a go. Hopefully there will be a little more of the real Lisa next time around.
Michael Williams - Our Princess is in Another Castle As another relative comedy newcomer, Warrnambool's Michael Williams has no such identity problems. Michael is, unapologetically, a pizza munching, chip crunching couch-dwelling gamer. Not that there's anything wrong with that because his 20 years of console addiction has led to this Pac-Man power-pellet of a show.
Williams' mission for the evening is to show us that if you scratch the surface of life, everything's a game really. He illustrates his point by walking us through his own arcade version of the Life of Michael, detailing his attempts to get a job, score a girlfriend and leave Warrnambool to become a successful comedian. This is all done by - you guessed it - a PowerPoint presentation. Fortunately a combination of personalised Atari and Nintendo-style graphics presented on a huge old television and some dry self-depreciation mean the story is delivered with some genuine down-to-earth charm. It's likely that some more energy in the delivery might have been required without the television to rely on, but for the purposes of tonight's show it's mostly spot on.
I read a criticism online that Our Princess is in Another Castle (a reference to early video game quests to rescus damsels in distress) show wasn't nerdy enough, with too many references to games that are broadly known by the general public. That misses the point somewhat as I suspect a show directed squarely at gamers would have had an audience of three. Williams gift, despite a youth spent behind closed curtains with only a glowing cathode ray and a game controller for company, was to engage gamers and non-gamers alike in a story that everyone could relate to. For that alone he deserves a power-up and an eccy man.
Daniel Kitson - The Interminable Suicide of Gregory Church As subjective as comedy is, there are still some facts out there. Farts are always funny; being unnecessarily mean to people is not; gender does not affect how funny people are; comedians who do it for fame and money should give up now. This last point brings me to my own personal number one comedy fact: no one is better at standing on a stage and making people laugh than Daniel Kitson.
As a man who avoids appearing on television, turns down the majority of interviews and mostly advertises his shows through a mailing list and word of mouth it would be hard to accuse Kitson of being in the comedy game for anything other than love of what he does. He has genuine pride in and affection for each show he does, as displayed by his methodological approach to bringing each new creation around the world for people to see. It may take time (Gregory Church was first aired at Edinburgh in 2009) but better to wait til the show can be performed to its very best than agreeing to a promoter-driven soul-sapping endless run.
It should come as no surprise that the Interminable Suicide of Gregory Church is superb. Although firmly promoted as another of Kitson's one-man-show theatre pieces rather than stand-up, Kitson is now so adept at his craft that the lines are being erased. A five-minute rambling intro piece about the show segues so seamlessly into the show itself that it's hard to remember where fact and fiction became separated.
The story itself revolves around Kitson's (alledged) discovery of several boxes of letters in a loft, all written by the eponymous hero over many years, including a series of suicide notes addressed to various acquaintances. Through these letters and the ones that follow, Kitson takes us on a Time Team-like journey of discovery - digging deeper into Gregory's life. Kitson uses his own absorbtion with the unfolding story that he read to tell the tale in flashbacks, effortlessly weaving real facts, invented facts and Gregory's facts into a perfect picture. It's even more impressive that after performing countless runs of the show he still seems excited when we collectively reach the Poirot-moment of dedection and realisation about the true nature of Gregory Church's fate.
According to a 2009 interview with the ABC's Jon Faine, Daniel has a collection of recorded material from all his shows, including this one. The problem is he can't be arsed sorting through them all to do anything with them, preferring to concentrate his efforts on the here and now. For those who missed this latest masterpiece, start hoping he decides to take some time off to do some editing. And don't let anyone spoil it for you; it's more than worth the wait.