A case in point is the camera. Weighing in at a hefty 2.0 megapixels and with a shutter button that had to be pressed so hard that any picture not taken in bright sunshine adopted a distinctive blur you'd think I wouldn't ever have bothered using it. Yet many was the time I found myself caught up in post-sunset events thinking 'I must capture this moment forever. Unleash the trusty box brownie phone and let us make photographic magic.'
By way of a tribute to my ex-phone I'll like to share some of our finest concert moments together. Over the next few days I intend to blow your mind with scenes that will actually make you feel you are there - providing by there you mean in the very back row of a 100,000-seater stadium and high on ketamine. I'd like to dedicate this exhibition to the great Kevin Cummins, former NME photographic stalwart and whose works adorned my teenage bedroom walls (and beyond). Kevin, if you need me you know where I am...
No really, I promise it is him.
Don't let the relative clarity of this shot fool you to believe the
pictures improved over time - every single light in the venue was on when I took it.
replete with Mexican day of the dead person. He was aces.
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