A case in point is the camera. Weighing in at a hefty 2.0 megapixels and with a shutter button that had to be pressed so hard that any picture not taken in bright sunshine adopted a distinctive blur you'd think I wouldn't ever have bothered using it. Yet many was the time I found myself caught up in post-sunset events thinking 'I must capture this moment forever. Unleash the trusty box brownie phone and let us make photographic magic.'
By way of a tribute to my ex-phone I'll like to share some of our finest concert moments together. Over the next few days I intend to blow your mind with scenes that will actually make you feel you are there - providing by there you mean in the very back row of a 100,000-seater stadium and high on ketamine. I'd like to dedicate this exhibition to the great Kevin Cummins, former NME photographic stalwart and whose works adorned my teenage bedroom walls (and beyond). Kevin, if you need me you know where I am...
King Monkey himself, Ian Brown, taken from the very front of the stage at the Metro in Sydney. That's about a metre away. And it's still blurred.
The Charlatans' Tim Burgess peaks around the corner at Sydney's Forum.
No really, I promise it is him.
No really, I promise it is him.
Rick Nielson of rock monsters Cheap Trick - Rod Laver Arena, Melbourne.
Don't let the relative clarity of this shot fool you to believe the
pictures improved over time - every single light in the venue was on when I took it.
Don't let the relative clarity of this shot fool you to believe the
pictures improved over time - every single light in the venue was on when I took it.
The incomparable Cougar Flashy at the Factory in Sydney,
replete with Mexican day of the dead person. He was aces.
replete with Mexican day of the dead person. He was aces.
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